DAR 122 Desktop Graphics: Adobe Illustrator
Credit Hours: 4.00
CRN 12592
Fall 2021
Instructor Information
Instructor Name: Stephen Romaniello
Instructor Email: sromaniello@pima.edu
Instructor Website: stephenromaniello.com
DAR122 Blog: http://pimaccdar122.blogspot.com
Office Location/Hours: The instructor is available by appointment for online meetings chat or phone conversations. Email your instructor to schedule a time.
DAR122 Zoom Meeting
Steve Romaniello is inviting you to a scheduled Zoom meeting.
Topic: DAR122 Zoom meeting
Time: This is a weekly recurring meeting
Tuesdays, 12:45-3:00PM
8/24/21- 12/14/21
Meeting ID: 939 0104 8858
Passcode: 409428
Topics
Project 4 ReviewGraphic Narratives
Special Effects Q and A
Project 5: Graphic Narrative. Due Monday, December 6 @12:59PMWe will review the submissions on Tuesday, December 7(Final Project)
The graphic novel has become a popular literary form. A graphic narrative is a story whose events and dialog transpire over a sequence of images. Graphic narratives have traditionally been drawn in a variety of mediums and computer- generated stories have emerged on the scene in the past twenty years. Formerly called a "comic strip", a graphic narrative starts with a manuscript and is translated by the artist into a series of rough marker or pencil drawings called a storyboard. If there is dialog or text it can appear at the top or bottom margin or expressed in word and thought balloons.
Create a graphic narrative based on an event or events in your life. Draw a series of thumbnails to create a storyboard that shows the sequence and layout of each frame and the total story. Execute the entire story in Illustrator in your own unique style in at least eight frames with a title block. Include a perspective drawing somewhere in the narrative.
Specifications:
Configure the story on one11”x17” page, or 2 8.5”x11” pages with 4 frames on each page. Don't forget a title block Black and White or Color. CMYK.
Tips:
• Research other graphic narratives and comic strips to get a feel for how other artists have achieved dynamic composition.
• Draw a storyboard in pencil or marker to organize the story into a sequence of at least eight images.
• Keep your work organized in layers and sub-layers.
• Be aware of the visual relationships between frames and how they relate to the gestalt of each page. The images should flow together logically and aesthetically.
Examples of Project 5
Fall 2019
Modules Due with Project 5Module 10A Perspective 10-50 through 10-59
Module 10B Designing Graphs 9-6 through 9-25
Module 10C Symbol Instance Sets 12-22 through 12-31
Final Exam
Review Tuesday, November 23The final exam will be posted on Wednesday, November 24. Submit the exam by Tuesday November 30 @ 11:59PM.
Special Effects
The graphic novel has become a popular literary form. A graphic narrative is a story whose events and dialog transpire over a sequence of images. Graphic narratives have traditionally been drawn in a variety of mediums and computer- generated stories have emerged on the scene in the past twenty years. Formerly called a "comic strip", a graphic narrative starts with a manuscript and is translated by the artist into a series of rough marker or pencil drawings called a storyboard. If there is dialog or text it can appear at the top or bottom margin or expressed in word and thought balloons.
Create a graphic narrative based on an event or events in your life. Draw a series of thumbnails to create a storyboard that shows the sequence and layout of each frame and the total story. Execute the entire story in Illustrator in your own unique style in at least eight frames with a title block. Include a perspective drawing somewhere in the narrative.
Configure the story on one11”x17” page, or 2 8.5”x11” pages with 4 frames on each page. Don't forget a title block Black and White or Color. CMYK.
Tips:
• Research other graphic narratives and comic strips to get a feel for how other artists have achieved dynamic composition.
• Draw a storyboard in pencil or marker to organize the story into a sequence of at least eight images.
• Keep your work organized in layers and sub-layers.
• Be aware of the visual relationships between frames and how they relate to the gestalt of each page. The images should flow together logically and aesthetically.
Examples of Project 5
Fall 2019
Module 10A Perspective 10-50 through 10-59
Module 10B Designing Graphs 9-6 through 9-25
Module 10C Symbol Instance Sets 12-22 through 12-31
Review Tuesday, November 23
Our final class is Tuesday, December 7.
Here is the invitation to the exhibition of my paintings.All Welcome
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